by Andrew Hirodo Grøb

In The [Urban (Ever More)] Wilderness, The Oblivion of, The Preservation of Our World is Distracted, Brightly, Noisily & Quickly As Eons To Millennia, Detroit MI. or On The Corner of Cash City— Redux: Infinite Entropy of Then Not When &#82…

In The [Urban (Ever More)] Wilderness, The Oblivion of, The Preservation of Our World is Distracted, Brightly, Noisily & Quickly As Eons To Millennia, Detroit MI. or On The Corner of Cash City— Redux: Infinite Entropy of Then Not When … Detroit America

by Andrew Hirodo Grøb

Wide Is The Sidewalk And Narrow Is The Path or Outside The Cinema of Memory, Perception Lingers Within Remembering. 14th Street NYC (at Queen Of The Rosary Catholic Academy)

Wide Is The Sidewalk And Narrow Is The Path or Outside The Cinema of Memory, Perception Lingers Within Remembering. 14th Street NYC (at Queen Of The Rosary Catholic Academy)

by Andrew Hirodo Grøb

Outward Manifestation of A Force Too Subtle To Be Consciously Perceived No.❸ or Yoda Yoda … DUMBO NYC (at Cutter’s Cigar Bar & Lounge)

Outward Manifestation of A Force Too Subtle To Be Consciously Perceived No.❸ or Yoda Yoda … DUMBO NYC (at Cutter’s Cigar Bar & Lounge)

by Andrew Hirodo Grøb

「The」Wages of Fear【No .❼】: An Automotive Espionage Assignation Observed As If A Deleted Scene From History Re-Discovered Within The Infinite Labyrinth Of A Social Network or Street Level, Rooftop, and A Hotel Room [1426] With An Insomnia Inspired Vi…

「The」Wages of Fear【No .❼】: An Automotive Espionage Assignation Observed As If A Deleted Scene From History Re-Discovered Within The Infinite Labyrinth Of A Social Network or Street Level, Rooftop, and A Hotel Room [1426] With An Insomnia Inspired View, Rosemont IL or Cincinnati OH or a Los Angeles CA Imagined … (at Auster Rubber Corp)

by Andrew Hirodo Grøb

Something Within The Lull, (Before The Questions Ambiguities Pose), Stirs. No.③ Hells Kitchen, NYC or Gulliver, Whilst Recalling Past Travels, Eyes The Insignificance of Things Significant, NYC

Something Within The Lull, (Before The Questions Ambiguities Pose), Stirs. No.③ Hells Kitchen, NYC or Gulliver, Whilst Recalling Past Travels, Eyes The Insignificance of Things Significant, NYC

by Andrew Hirodo Grøb

As All The [I]sms Have Become [W]asms, Philadelphia or Seeing Typography As Details Incurred Whilst Looking Up, Macri Park, Brooklyn NY (at Philadelphia Salvage)

As All The [I]sms Have Become [W]asms, Philadelphia or Seeing Typography As Details Incurred Whilst Looking Up, Macri Park, Brooklyn NY (at Philadelphia Salvage)

by Andrew Hirodo Grøb

The Hidden Fortress, Madison Square Park NYC, or Resurrection Agent, NYC or And All The While The Enigma Keeps On Breathing Through His Waxworks Face No. ❷, Issaquah Wa

The Hidden Fortress, Madison Square Park NYC, or Resurrection Agent, NYC or And All The While The Enigma Keeps On Breathing Through His Waxworks Face No. ❷, Issaquah Wa

by Andrew Hirodo Grøb

Now In The Present Tense No.③ : WithIn The Time Allotted [As When Trying To Focus On Things Drawn Close] Eye’s Sight Wends Through Optical Space For Signs of Future Memories Before The Mechanical Shutter Stutters, Clacks Closed or Memorie…

Now In The Present Tense No.③ : WithIn The Time Allotted [As When Trying To Focus On Things Drawn Close] Eye’s Sight Wends Through Optical Space For Signs of Future Memories Before The Mechanical Shutter Stutters, Clacks Closed or Memories, Dreams Reflections: About Her, Tower Optical Company Coin Operated Mechanical Binocular, Niagara Falls of My Mind, Brooklyn New York (at Queen Of The Rosary Catholic Academy)

by Andrew Hirodo Grøb

[The] Wages of Fear No.❾ Octopi of Oceania Vs. A Squad of Squid: Detail from A Never Released One-Sheet Movie Poster or A Cotton Candy Nightmare in Primary Colors Featuring Once Comfortably Numb Fears From The Deep And Surface, Forming Alliances, Wh…

[The] Wages of Fear No.❾ Octopi of Oceania Vs. A Squad of Squid: Detail from A Never Released One-Sheet Movie Poster or A Cotton Candy Nightmare in Primary Colors Featuring Once Comfortably Numb Fears From The Deep And Surface, Forming Alliances, Whilst Beached Upon The Shores of Ambiguity, To Embark Upon Long Delayed Escapes and Adventure, Carney Ride Houston Rodeo, Houston Texas (at Houston Livestock Show & Rodeo, Houston Texas)

by Andrew Hirodo Grøb

Inclined Towards The Oblivion of Curiosity and It’s Aesthetics of “Why We Return” No. ❷ Whilst Observing Others Within Their Own, Lower Eastside NYC or Bright Lights Big City: Cold Radiant Indifferent Shine, Pink In Color, White As…

Inclined Towards The Oblivion of Curiosity and It’s Aesthetics of “Why We Return” No. ❷ Whilst Observing Others Within Their Own, Lower Eastside NYC or Bright Lights Big City: Cold Radiant Indifferent Shine, Pink In Color, White As Diamond, Crazy On We Shine Back, LES NYC

by Andrew Hirodo Grøb

House of Cards No. ② : This Swing’s Shadows Across [If Existed Anymore] The Boyhood Home of Elvis, Slide Swivel and Shake With The Cool, Colder Night Winds, Tupelo Mississippi or What Remains of History’s Artifacts: A Space of Place…

House of Cards No. ② : This Swing’s Shadows Across [If Existed Anymore] The Boyhood Home of Elvis, Slide Swivel and Shake With The Cool, Colder Night Winds, Tupelo Mississippi or What Remains of History’s Artifacts: A Space of Place Re-Constructed From Living Memory and Surviving Artifacts; Physical Reveries Recreating Lost Realities, Tupelo Ms (at Elvis Presley’s Birth Place and Museum)

by Andrew Hirodo Grøb

In Camera (Huis Clos) :[The] Wages of Fear No. ❽: An Eternity of Reflection In A Confined Space For Three, Imagined With Possibilities of Escape, 9th Ave. NYC or
Systems of Allusion Devised To Facilitate The Consequences of Denial, Tupelo Ms (at Tup…

In Camera (Huis Clos) :[The] Wages of Fear No. ❽: An Eternity of Reflection In A Confined Space For Three, Imagined With Possibilities of Escape, 9th Ave. NYC or
Systems of Allusion Devised To Facilitate The Consequences of Denial, Tupelo Ms (at Tupelo Buffalo Park)